Sheet Music Plus Rock

The Lights Out Fall Tour Dates

The Lights Out  is hitting the road to play their new concept album Primetime, that tells the story of a band on the road. Check out the Fall Tour Dates below and for more information visit their official website – www.thelightsout.com

  • Waterfront Tavern – Holyoke, MA: 9/23
  • Dewey Beach Music Conference @ The Rusty – Dewy Beach, DE: 9/24
  • Empire Records Party @ Milky Way Lounge & Lanes – Boston: 9/30
  • Spike Hill – Brooklyn: 10/6
  • Mill Hill Basement – Trenton, NJ: 10/7
  • The Legendary Dobbs – Philly: 10/8
  • Sweet Tea Pumpkin Pie Fest @ Sweet Tea Pumpkin Pie Fest – DC: 10/9
  • Valentine’s – Albany, NY: 10/14

The Lights Out – 01/10/10 – Trash Bar – Brooklyn, NY

M.E.A.N.Y Fest Finals At Blender Theatre

ESBMusic had the opportunity to see the M.E.A.N.Y. finals tonight at Blender Theatre in NYC. I had gotten there in time to see the some of the second band of Rizzo’s Dilemma. On my way in I ran into Adam Ritchie from The Lights Out and chatted awhile. Mid-conversation, I guess I pulled too hard on my necklace and the string broke making the beads fly off in all directions. I was able to find most of the pieces and thanks to Adam and Matt from the Lights Out who helped me pick up the pieces that I didn’t see.

Aside from the necklace debacle, I was still able to enjoy the band. I was digging Rizzo’s jam music and the long interludes. Next up was Tina Brown, one of the two special guests who played in between the band contestants. She opened with a cover of Kevin Rudolf’s “Let It Rock” then played a mix of covers with her own music. She had a great voice and reminded me of Pink! but with a little more rock/hip hop edge. Tina Brown ended and they resumed the contest with Saturday Astrology who was quite amazing. I really liked their music. It reminded me a bit of Pearl Jam with an electronic, etheral feel. I would recommend seeing this band play live. Our friends The Lights Out Were next on stage. It was a short set of rockin’ set. They were high energy and Adam even jumped off stage and ran around the venue while playing on his cordless guitar. It was great! The last band to play was The Better World. While they had a hard rock edge, they didn’t really move me too much. The second special guest to play was Unisex Salon. They were great. The guy/girl combo singers were a great compliment to the dance rock music. They had an entertaining stage presence and great sound!

After the band finished they announced the winners.  The Rhodes won 1st prize and The Lights Out were the runners up.

Congrats to The Rhodes and The Lights Out!

M.E.A.N.Y. Finals – 12/14/09 – Blender Theater at Gramercy – NY, NY

M.E.A.N.Y. 2009 Finals – Monday 12/14/09

The M.E.A.N.Y. Fest 2009 Finals have arrived and will be tomorrow 12/14/09 at the Blender Theater.

So many great bands playing for the winning spot including the OUT OF STATE PICK, our friends The Lights Out from Boston, MA.

Get out tomorrow night and support!!

CMJ Recap: Day 1

The 1st day of CMJ and I was super excited to go see bands!  I had wanted to head over to the showcase at Red Bull Space but I wasn’t able to make it there until after 7pm.

To my disappointment there was a huge line which didn’t surprise me considering the event was free. After waiting 40 minutes we decided to go over to the Pure Volume House and hang with our friends from GOOM radio.

While at the Pure Volume House we had two celebrity sightings: first Jeffree Star walked through the room and past everyone with a cold stare to the bar and then walked back to the lounge area hosted by PASTE magazine. We later saw the Aaron Gillespie, lead vocalist from The Almost.

We left Pure Volume House around 10:15 to catch the 10:30 show of The Lights Out at the Alphabet Lounge.  They played a rocking set.

Although I did not get to see as much money as I wanted to on the first day, I had fun traisping through the city.

Stayed tuned for more, CMJ runs for 5 days!

The Lights Out – 10/20/09 – Alphabet Lounge – NY, NY

Song Of The Day "Last Hurrah" by The Lights Out

The Lights Out_(Adam Ritchie_lead guitar+vocals), (Jesse James_drums+vocals), (Matt King_bass+vocals), (Rishava Green_lead vocals+guitar)

The SOTD is “Last Hurrah” by a great Boston based band The Lights Out. Don’t miss them at CMJ, they will be at the Alphabet Lounge on Tuesday 10/20. Check out their MySpace for tour information and to listen to more tracks off Color Machine.

The Lights Out – 10/03/09 – Bowery Poetry Club – NY, NY

Adam Ritchie’s Twitter Tips for Bands


 

 

 

 

 

 

 

Photo Courtesy of The Lights Out

Adam Ritchie is the lead guitarist for Boston indie rock outfit  The Lights Out
For music & more info:  www.thelightsout.com

Follow the right people

You’re a band, not an aspiring social media consultant. Don’t waste time following tech-heads or celebrities just because everyone else follows them. Instead, think about following:

  • Other bands – especially ones in your own local music scene. See what they’re up to. Support them and network with them.
  • Music industry thought leaders like  Andrew Dubber,  Ariel Hyatt, Derek SiversIan Rogers and Mike King. They’re always sharing helpful advice for independent bands.
  • Clubs and club promoters in your home city, and in cities where you’re working to establish a foothold.
  • Festivals and conferences you’d like to play.
  • Instrument companies and music stores for when they announce special deals.
  • Companies that serve DIY musicians, like Sonicbids, TuneCore, CD Baby, ArtistData and FanBridge. Hear when they’re releasing new features or offering up tips from their staff.
  • Independent music bloggers, like Eat Sleep Breathe Music
  • Traditional music writers at national magazines, major-market dailies and alt. weeklies.
  • Consumer brands you’d like to establish relationships with for music licensing.
  • Potential fans using Twitter Search

Use Twitter Search as your research department

Twitter Search is the resource marketers of anything – shoes, coffee or music – have been waiting for since the dawn of time. People chattering away about where they’re going, what they’re doing and how they’re experiencing your brand.

Run a Twitter Search on the name of your band the morning after a gig and see what people in the audience had to say about your performance last night. (Or encourage the Twitterers in the audiences to do this from the get-go so their friends know who they’re seeing.)

Before you hit a new city, run a Twitter Search on the name of the venue you’re playing to uncover who’s been talking about seeing shows there over the last month. By doing this, you’re getting a snapshot of that small subset of the population who regularly goes to indie rock shows. The beautiful thing is this same service that’s showing you who they are also gives you a means of connecting with them. Send them an @ message and ask about a good record shop in town, or what diners are open late for a bite after the gig. You’re talking to them, they know you’re coming to town, and as you continue your conversation with them, even if they can’t make it this time, they’ll tell their friends about it.

Use Twitter Search as your street team

“Who do you sound like?” is a question all bands have to answer from time to time. Rather than getting yourself down about owning up to your influences, turn it to your advantage. The next time that “national band you sound like” comes to your city and sells out a stadium, run a Twitter Search on their name and the name of the venue. You’ll see people from all around your area tweeting about “going to see X!”, “I’m at [VENUE], seeing X!” and “X blew my mind last night!”. Follow them. In the past, you’d have to stand outside that venue with a box of stickers and CDs. Today you can engage everyone in your boxers from the comfort of your couch, with zero material costs. And instead of handing them a sticker they’re going to toss on the ground seconds later, you’re working your way into their daily stream of information. Powerful stuff.

Use Twitter Search to create hashtags/live channels for organizing events

For big events – a CD release or a video shoot where you need people – determine a Twitter hashtag (#), and create a spontaneous live channel. You’ll pique the interest of your fans’ friends who may not have known about you and might like to participate in what they’re realizing is becoming a community event. It allows your event to take place on a whole other level, and adds a new dimension to it. This can be an especially powerful community-builder and communication tool at events and conferences with many bands showcasing.

Tell a story; don’t promote

Above all, be interesting. Blatant self-promotion on Twitter is like walking into a bar and slapping your band’s sticker on everyone’s forehead. It won’t win you any new friends or listeners. Twitter is a promotional platform, where the promotion happens through networking and storytelling. Tell your story as it happens. Give glimpses into your works-in progress. Share pictures of your time on the road or in the studio. Let people into your world. Don’t tell them to go buy your new record. If you’ve been telling your story effectively, your followers will have been watching you put that record together for months, already anticipating it. Don’t tell them to come to your show. Give them a reason to be there by sharing what makes that show different or special. If you’ve posted a new blog entry, a compelling Flickr photo, a video clip from last night’s show, a fresh mention in the press – share it – they’re all pieces of your story. Your story is a moving engine that constantly needs fuel. And nothing attracts fans like momentum.

Case study:

The Lights Out takes on a new market using Twitter

This spring, the band played its first show in Syracuse, N.Y. We opted to work the whole thing using Twitter alone.

We spoke with the promoter, arranged the gig and secured a guarantee – using Twitter
We reached out to the music writer at the city’s major daily to set up an interview – using Twitter
We ran a Twitter Search using the venue name, identified  local music fans, engaged them in a conversation and got them to our show – using Twitter
We built a relationship with the college radio station, got them our music and set up a live interview – using Twitter
We arranged for a local indie music blogger to live-blog from our show – using Twitter
On the drive to the gig, we were pulled over by a State Trooper. We Twitpic’d the incident (it’s part of our story) and received the condolences of our fanbase – using Twitter
When we got back, we recapped our whole experience on our blog with all the multimedia bits and pieces we’d created, and shared it with our fans – you guessed it….