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The Narrative – Self-Titled Debut


Piano is an instrument that doesn’t get much play time in today’s music scene. If a piano is used at all it’s used on a single track to show off some established artist’s musical chops. Long Island trio The Narrative establish those chops right off the bat then continue to put wannabe rock pianists to shame in their piano-centric self-titled full-length debut album.

A great rock piano sound would be enough for most bands to set them apart stylistically but The Narrative ups the ante with guitarist Jesse Gabriel splitting vocalist duties with keyboardist Suzie Zeldin. The two work well together with Gabriel giving his starring tracks a more rock and roll edge and Zeldin endowing her main songs with happy whimsy. The combination makes for an album full of variety that never gets too repetitive.

The album’s highlight track is “Winter’s Coming,” a beautifully crafted five minute ballad that combines the best of what this trio has to offer. Led by Gabriel’s vocals and backed up by Zeldin’s piano and final member Charlie Seich’s drums “Coming” builds at just the right pace, crescendos perfectly and ends strong even after five minutes. These musicians know how to fine-tune a song till all the kinks have been worked out, a skill made all the more impressive on a debut album.

The Narrative managed to create a unique style and sound all their own and did it in only 13 songs. They may not have a song built for mass radio appeal just yet, but for indie music lovers it doesn’t get much better than this.

For more information on the band check out MySpace, Facebook, and follow them on Twitter. The Narrative is available now on iTunes and Amazon.com.

The Secret Handshake – ‘Night and Day’

For anybody who enjoys the vibrant sound of musical days gone by, before everything was programmed, processed and auto-tuned, then Luis Duboc’s aka The Secret Handshake’s fourth album Night and Day will be a breath of fresh unpolluted air. Recorded on the same analog tape machine used by Motown Records, with only live musicians on real instruments, the album sounds like the greatest Motown record you’ve never heard.

Duboc wrote all the lyrics and musical parts, incorporating horns, piano, percussion, and background singers (including a children’s choir on the single “Domino”) into one joyous party of soul recorded live in a studio. The love and care Duboc spent on crafting this album comes through in his vocals that are infectiously happy, even when singing “I don’t love you anymore” on the track “You Used to be Sweet.” “You Used to be Sweet” is a duet featuring the singer Lights, who has some Motown chops of her own.

Night and Day is all at once a tribute to the great Motown and blues/soul groups of the 60’s and 70’s and a declaration that their style of music can still be enjoyed in today’s world. The Temptations, The Jackson 5, even The Righteous Brothers influence can all be heard on this great throwback album. Any Motown fan or anybody who just wants to hear some soulful happy new music should pick this album up. Night and Day is available on iTunes and select Best Buys and Hot Topics, if only it were available on vinyl.

Dax Riggs – ‘Say Goodnight to the World’

Dax Riggs is one of those musicians that have been around for years.  He has been in more bands than even Wikipedia can count.  Like any good musician Riggs has evolved his sound over time.  Where once he was a front man for sludge metal bands like Acid Bath and Agents of Oblivion he has aged into a stately, but slightly grim, man of rock, and he’s only 36.  Riggs spent two plus decades in one band after another but has branched out as a solo artist and just released his second solo album Say Goodnight to the World.

Say Goodnight is about as bleak of an album as you can get.  If a song doesn’t outright mention death or dying it is heavily implied.  With track titles like “You Were Born To Be My Gallows” and “See You All In Hell or New Orleans” you know these songs aren’t going to be covered by the happy kids in Glee anytime soon. The highlight of the album has to be the cover of Elvis’s “Heartbreak Hotel.”  Riggs puts so much emotion in those well-worn lyrics you won’t be able to listen to the original the same way again.

Taken as a whole Say Goodnight defies any particular genre. It has rhythmic blues ballads, classic rock guitar riffs, and electronic synthesizers but it all comes together under Riggs’s strong vocals. You might feel like a doomed soul after listening to it but everyone feels like that once in while, at least now there is a soundtrack.

For more information on Dax Riggs check out MySpace and get Say Goodnight now on on iTunes.

Artist of the Month: Semi Precious Weapons


New York City rockers Semi Precious Weapons aren’t so much a band, but more like a movement. Vogue (yea, that Vogue) once called them “unashamedly crass and deliciously animated” and before she took the world by Kermit-covered storm, Lady Gaga opened for them.

They are dirty, sexy, and can rock you from your head to your toe. They are Glam Rock personified, and they know it too.

Weapons isn’t just a band that is all raw talent (which they have in spades); they have a musical knowledge that most garage bands would kill for. The band met while attending the Berklee School of Music where front man Justin Tranter got a degree in songwriting and drummer Dan Crean has one in classical composition. Fellow Berklee graduates Bassist Cole Whittle and guitarist Stevy Pyne round out this musically endowed group.

You can’t mention Semi Precious Weapons without going into detail about their charismatic front man and lead singer Justin Tranter. The man who yelled “we are Semi Precious Weapons from New York Mother-Fucking City, and we hope you ALL GET LAID!” at a recent show (that quote is now in bold at the top of the bands website), danced with supermodel Kate Moss at another show, and who started making and selling jewelry at gigs to help make ends meet and now has his on jewelry line, Fetty, that is sold at Barneys in New York. Add those traits to his rock solid musicianship and with Weapons steady rise and there is little doubt Tranter will go down as one of the greatest front men in rock history.

Semi Precious Weapons has released two albums We Love You in 2008 and this past June they released You Love You. Both albums have spectacular dance tracks along with emotional filled ballads like You Love’s “Rock and Roll Never looked so Beautiful.” You Love You’s finest single is the bands self titled “Semi Precious Weapons” that with one of the greatest opening lines ever: “I can’t pay my rent, but I’m fucking gorgeous” that comes over a rocking guitar riff and a hard hitting drum beat. Tranter’s soaring vocals and the other members extreme talent are present on every track and every track sexy, fun, and begs a repeat listen.

Semi Precious Weapons are currently opening for Lady Gaga on her The Monster Ball Tour paying back the favor from her early days. You Love You was released by Interscope Records and is available on iTunes.

Eat Sleep Breathe Music had the chance to sit down with the band and find out what its like being on a major label, how touring with Lady Gaga on the Monster Ball has been, and what their plans are for the rest of the summer.

ESBM: Has anything changed with being on a major label?

SPW: Being on a major has actually given us a lot more artistic freedom. Ron Fair is our A&R man and he really believes in the filthy raw, but intelligent essence of this band. And having amazing people actually helping spread the SPW word, is magical.

ESBM: You guys have some great lyrics. What is your writing process? Is it a collaborative effort or does one person come up with the music and another with the lyrics?

SPW: Justin writes all the lyrics, and the music is a collaborative effort between all 4 of us. The four of us just get in a room, and wait till a lyric or riff or beat sparks a whole fucking song.

ESBM: You’re known for having some exciting live shows. What have been your favorite places to play? What is the craziest thing that has happened at a show?

SPW: Well in the last year we have played an insane range of shows, from small dirty bars in texas to stadiums in Japan. They are all amazing for different reasons. The craziest thing may be when we were playing a show in NYC and this beautiful girl and guy started having sex in the front row.

ESBM: You guys have been opening for Lady Gaga on her Monster Ball Tour. What is that experience like? How does the crowd react to your performance?

SPW: It’s the best experience we could EVER ask for. Playing arena’s warming up a crowd for one of our best friends. Magic. About 75% of the audience LOVES us, and the rest hate us. Which we love, rock N’ roll should make you love or hate.

ESBM: You had a few club dates you played, are you planning on touring more in support of the upcoming album release?

SPW: We are touring with GaGa for a very long time. But whenever we have a little time off of the Monster Ball, we play club shows. Rock N’ Roll takes hard fucking work and a good slow build. And playing shows is our favorite thing in the world.

ESBM: Justin, you have a jewelry line, Fetty which helped cover the cost to make your record. Do you think you want to extend it to other accessories and clothing lines (in addition to the shoe collection for DKNY)?

SPW: I may lend my tastes to some clothing companies soon, but Fetty will only ever produce jewelry. I don’t want to just start throwing the Fetty name on crap just because I can.

ESBM: I love the video blogs you have been doing while you have been on tour. Do you think you guys would ever want to have a reality show?

SPW: We have actually thought about that. But it would need to be a lot more than a reality show. It would need to be something really creative, like Clockwork Orange meets The Monkeys.

ESBM: I saw Justin for a split second on The New York Housewives at the Perez Hilton party and last year at the Conde Nast Traveler Hot List Party. Are you big on the socialite scene?

SPW: I like places that have free champagne.

ESBM: What are you plans for the rest of the summer?

SPW: To work our asses off on the Monster Ball and bring rock N’ roll back to the mainstream.

Album Review- American Classic ‘Life is Motion’

Homegrown New Jersey band American Classic jumps head first into the indie music scene with their debut EP Life is Motion. This five track offering to the music loving masses may not be the most innovative debut ever but offers enough to turn heads and make record companies take notice of this as of yet unsigned band.

The EP opens with “Mistakes,” a song that seems specifically tailored for angst-ridden teenagers and begins with a half-minute discombobulated intro that fits perfectly into Classic’s style. The downside of that intro (which I’m sure sounds amazing live) is that new listeners to the band will almost immediately hate or love them. The third track “As Mine” is a much mellower and slower tempo song than the rest of the EP and would almost surely be a radio hit if it was done completely acoustic, but the double electric guitars and bass distract away from the superbly done vocals and emotional resonance that the other songs lack. The other three tracks have no outstanding qualities that are worth mentioning other than the four band members know how to play their instruments and go through the motions as any up-and-coming band should.

American Classic shows promise and just might make a great addition to New Jersey’s already illustrious musical canon. Life Is Motion is a great start for a band just starting to figure themselves out, and if they break away from their more generic tunes and focus on the songs that really mean something to them (like As Mine) then I can’t wait for their next release.

For more infomration on American Classic check out MySpace and pick up Life is Motion on iTunes or online at http://www.weareamericanclassic.bigcartel.com/ now.

Album Review – Showstar ‘Think Ringo’

Showstar is without question the greatest band from Belgium that you have never heard of.  That will change soon enough as their third album, Think Ringo, is full of radio friendly hits that seem tailor made to climb charts.  Even though the group is based in Belgium Showstar is a fully Britpop band.  Ringo proves that with tracks heavily influenced by The Beatles (obviously, with that title) as well as bands from the Britpop invasion of the nineties like Blur and Pulp.

Britpop may not have been popular for over a decade but if talented bands like this keep popping up it just may make a resurgence. Showstar knows what they can play and they play it well.   In true Britpop fashion every song on Ringo is played with endless jubilation, captivating beats, and ecstatic vocals (thank you Mr. Thesaurus). A personal favorite is the second track “(Love),” complete with parenthesis, that is the most heavily Beatles inspired song and has some killer guitar riffs and a little more static in the vocals that I enjoy more than the more digital cleaner cut vocals on the other tracks.  Another potential hit with American audiences is “On The Telly,” not only for liberal use of the word telly but for its great harmonizing and infectious chorus as well.  There is nothing wholly original about Ringo, but who cares when the music is this fun to listen too.

Thing Ringo is available on iTunes and through the myspace of Vespasonic Records.

Album Review – Breathe Electric ‘Lovestruck’

Electro-pop bands are more common than oil spills at this point.  You can’t turn on a radio without hearing an upbeat electro-pop anthem with an up-tempo beat and catchy slightly humorous lyrics.  Chicago based Breathe Electric just released their third EP Lovestruck to this increasingly crowded scene and do their best to be heard over the din.

Nothing about struck is groundbreaking; the six tracks won’t surprise anybody who has listened to popular music in the past few years. Then again lack of creativity is not necessarily a bad thing in this instance. The EP is insanely energetic from start to finish and if you are in the right mood you will instantly want to go dancing so I don’t recommend anybody with a depilatory muscle disease or paraplegics to listen to more than one song in a row.  In fact, the same goes for anybody listening to Breathe Electric, the songs would be more enjoyable as a fast paced surprise in between lower temper songs. If played consecutively you will get burned out before you finish the third track, coincidentally titled Stay With Me, that starts fast and doesn’t slow down until it fades out in the last four seconds. The slowest song of the bunch is Electronic Lover, which may or may not be about stalking somebody on Facebook, and is slow in the same way that one rocket is slightly slower than another rocket even though both are going pretty fast.

Lovestruck is a great EP for people who love to dance, and if heard in a club it will get multiple jumping heads of approval. It doesn’t break away from the pack, but with songs like these the pack is a pretty fun place to be. Lovestruck and the other Breathe Electric EP’s are available on iTunes and at select Hot Topics.

Album Review: It's Alive 'Human Resources'

Courtesy of Total Assault

Courtesy of Total Assault

It’s Alive is a very good band. All four members seem like talented musicians and the songs are well crafted. My seventh-grade self would love them, he would have It’s Alive posters all over his room and spend his lunch singing their songs with friends in the cafeteria. Luckily for me seventh-grade self grew up and current self is severely disappointed in Human Resources, It’s Alive’s debut album.

It’s Alive is a thoroughly modern rock band. Sadly modern rock ceased being modern about ten years ago. It was the era that gave us Linkin Park, The Goo Goo Dolls, and Creed and it would be better for everybody if we just left them in the past (especially Creed). Each of those bands has its influences in Resources. Nearly every song has the synth intros and high-flying choruses that Linkin Park pioneered along with the light rock instrumental breaks that defined the Goo Goo Dolls, but combine that with Creed’s self-important lyrics and general crapitude and you have an album that was designed and desperately wants to be a hit but was released a decade too late.

The just below the cusp of awesome vibe makes Resources all the sadder because It’s Alive IS a good band. The four members can really play. So I am going to give them credit for not going against the grain on their first album. If the group adds a little more originality to their next release they could be bigger than any of their forebears they seem so keen on imitating.

Human Resources was released by Wind-Up Records and is available on iTunes or at your local music store (that means Wal-Mart).

myspace.com/itsalive
Human

Album Review: The New Loud 'Can't Stop Knowing'

The New Loud Album Cover
Before this review kicks off let me just say that The New Loud is a band that must be heard live to be fully appreciated. That’s obvious in their debut EP Can’t Stop Knowing. Each one of the six songs is filled with a frenetic energy that doesn’t come across fully in digital form as it would live on stage.

Their lead in single “Don’t Dance” encompasses the band’s style completely. How much can they cram into one song before it dissolves into an unlistenable mess. It is a fine line to walk but New Loud walks it with panache. “Don’t Dance” melds together string-breaking guitar solos, dramatic octave shifts and loud synth beats, and damn it to hell if it doesn’t sound like the perfect love child of punk and new wave. Other notable tracks include a cover of Radiohead’s “2+2=5″ (which less of a tribute and more of a complete re-imagining), and Short Way (by far the most mellow track on the CD, though that’s not saying much).

The New Loud goes all out on every song, and while that does make for great live performances it doesn’t always translate into great listening at home. Best advice in listening to knowing is to see the band in concert first, then get the EP as a reminder of how much it rocked.

Get the EP Can’t Stop Knowing now on The New Loud!

Album Review: The Frail 'Firefly'

The Frail

Is electropop back? Was it ever here? What decade is this? Where am I? These are the questions you may be asking yourself after listening to Firefly, the most recent EP from the electronic pop duo known as The Frail.

If you’re a fan of synthesized beats, high falsetto vocals, or 80’s electronic rock bands like the Eurythmics, then you will find The Frail refreshing, creative and way cooler than Flock of Seagulls.  If that doesn’t sound like your cup of musical tea than Firefly will not likely convert you.

With only five songs all under three-and-a-half minutes the entire album can be breezed through in under 15 minutes.  The beats don’t assault the ears and the vocals blend seamlessly into the background making the songs perfect for commercial use. Tracks have already been heard on MTV Road Rules (which apparently still exists) and Keeping up with the Kardashians among others.  With a resume like that The Frail are destined to be part of the soundtrack of reality TV for years to come.

Firefly will soon be re-released under Granville Records with two new singles, bringing the track count to a staggering seven and will be available on The Frail. Check it out if you are looking for the latest and best electropop music, or just wait for the next episode of Kourtney and Khloe Take Miami.